Completely contrasting his attitude towards other women he had sexual relationships with. Once Armando let loose, he was so genuinely sweet and tender with Betty. I know, it's a shame because the chemistry between Jorge Enrique Abello and Ana Maria Orozco was off the chains! The love scenes between them are so sweet. Yet her situation is so fucked up and her pain so raw and real, that you can't help but sympathize with her pain. Satisfying to witness Marcela realize that the woman she went out of her way to constantly humiliate for her looks, be the same one that "stole" Armando away from her. Case in point: Marcela finding out that Betty was the other woman was both poetic and sad. Fernando Gaitan and everybody involved in the production were amazing at humanizing the characters and the situations at hand. That's the beauty of YSBLF, it's a whole rush of emotions. Shelley King Award for Outstanding Artistry Minori De Silva Virus (Ballet de Galicia, Diego Landín, Spain)
ANA MARIA OROZCO BETTY LA FEA PROFESSIONAL
Vita (Ellison Ballet - Professional Training Program, NY)Ĭoppelia Friends Act 1 (The Art of Classical Ballet, FL) What Never Sleeps (Odasz Dance Theatre, NY) Generation 143:08 (Conservatoire de Danse du Nouvel Opéra de Cracovie, Poland) Mechanisms (Cary Ballet Conservatory, NC) Last Warning (Golden State Ballet Academy, CA)Įspaña (Next Generation Ballet at the Straz Center, FL)Īppearance of Light (Jacqueline's School of Ballet, UT) Right Left Shuffle (Hinsdale Dance Academy, IL) Hibiscus of the Night (MorningStar Dance Academy, GA)īournonville Divertissement (Amirian Ballet AcademyMain, CA)Ĭarmen Suite (Colorado Ballet Academy, CO)Ħ 42 Again (On Your Toes Academy of Dance, IL) Untethered Soul (WestMet Classical Training, MN)
Moving Forward (Indiana Ballet Conservatory, IN) Melliflous (Ballet de Galicia, Diego Landín, Spain) Pas De Quatre Part 1 (Pavlova Professional Coaching, TX)Įureka! (Mid-Atlantic Center for the Performing Arts, MD) Oceans and Pearls (West Suburban Ballet Conservatory, IL) Gayane (Kirov Academy of Ballet of Washington)Īngelasta (Balé do Teatro Escola Basileu França, Brasil) Michael Savio and Kya Massimino (Stars Dance Studio, FL) Nali Dobrin and Gramada Dragos (Choreography High School ''Floria Capsali'' / Dance Planet, Romania) Sabina Rode and Engel Perez (ProVer, Mexico) Kailin Kratz and Kyawzwa Lwin (City Ballet - San Francisco, CA)
Milania Leone and Bryce Young (All American Classical Ballet School, FL)Īubri Parker and Harris Yesenik (Cary Ballet Conservatory, NC) Nina Miró Verger and Asier Bautista (Jove Ballet de Catalunya, Spain) Kyra Orozco-Davey and Samuel Morris (Grand Pas Classique City Ballet San Francisco, CA) Maya Schonbrun and Cruz Vining (Master Ballet Academy, AZ) Haruna Watanabe and Hibiki Tsukamoto (Ellison Ballet - Professional Training Program, NY) Sophia Jones and Lisandro Neris Concepcion (Feijoo Ballet School, TX) Nora Yun Schaefer and Alexander Nicolosi (Kirov Academy of Ballet, Washington) Kennedy Kahler and Zander Magolnick (Elite Classical Coaching, TX)īella Ownby and Paxton Speight (International Ballet Academy, NC)
Nicole Kosasih Widjaja and Jim Willis Ang (Marlupi Dance Academy, Indonesia) Sophia Yamazaki and Anthony Caio (Lapidari Nucleo de Artes, Brasil)Įric Poor (12), Berkleigh Hernandez (CityDance School and Conservatory, MD)
Leon Yusei Sai and Afina Gosla (Southland Ballet Academy, CA) Maria Qixin Tian and Shaqueena Yefta Hutasoit
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